Mysskin has proved yet again as he strongly believed in his script rather than the actors. Such an excellent movie it has turned out to be. You couldn’t expect what’s next and you have unexpected twist in the storyline. The heroine, though she doesn’t have a big role, she has done her work neatly. Pandiyarajan, claims full credit, with his big specs and he resembles a notorious villain. Kuruvi, the handicap has done well though he makes you feel that he has over acted in certain scenes.
Technically, there were in total of four songs, out of which one comes as a title number. Two folk songs were good. One heroine dream sequence comes along the storyline which is not necessary. Regarding camera work, he has used semi angular shot sequence and running motion technology which adds more reality to the story. Art has no work here as least sets were used by the director. Background music is good in the movie; especially the silence number is used in most thrilling scenes. Director Mysskin proved his talents as a distinctive filmmaker in his maiden venture ‘Chithiram Pesuthadi’ itself. This is again a masterpiece from the director.
Technically, there were in total of four songs, out of which one comes as a title number. Two folk songs were good. One heroine dream sequence comes along the storyline which is not necessary. Regarding camera work, he has used semi angular shot sequence and running motion technology which adds more reality to the story. Art has no work here as least sets were used by the director. Background music is good in the movie; especially the silence number is used in most thrilling scenes. Director Mysskin proved his talents as a distinctive filmmaker in his maiden venture ‘Chithiram Pesuthadi’ itself. This is again a masterpiece from the director.
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